For the week of May 16, 2013
Last updated on May 16, 2013 10:14 AM PT

San Francisco Bay Times on Facebook San Francisco Bay Times on Twitter

HOME PAGE     CALENDAR     CONTACT US     RESOURCE GUIDE     BUSINESS DIRECTORY
 Search Bay Times


Archived Shows


flipbook version
pdf version


EditorialsNational News RoundupNational & Local News MapAstrologyPerson of the WeekPop RoxBetty's Gift Guide


Edie Brickell, New Bohemians Return to The Fillmore
By Paul E. Pratt
Published: October 12, 2006

Band to Play Material from First New CD in 16 Years ‘Stranger Things’

“What I am is what I am,” Edie Brickell & The New Bohemians declared nearly two decades ago. “And what you are, you are.” After rocketing to stardom with the anthem about acceptance, Brickell flew solo . . . then faded away.

Stranger Things, their first recording in 16 years, reunites Brickell with Kenny Withrow, Brad Houser, Carter Albrecht, Brandon Aly and John Bush. For fans of the New Bohemians’ toe-tapping adult rock and Brickell’s smooth, familiar vocals, it’s like 1988 all over again! 

Now the band is playing select markets around the country to promote the new disc.  Before returning to The Fillmore Tuesday, Oct. 17 – “We love San Francisco,” Brickell says, “It’s so liberal and loving, and we really connect to that” — the singer tells  Bay Times about putting her career on hold, the motivation to return and why the New Bohemians might never have formed if not for a lesbian friend.

How does a New Bohemians record differ from your solo work?

The New Bohemians sound reflects jamming. There’s a real spontaneous, collective energy. When I sit down with a guitar to see what comes out, it’s just one person. “Wear You Down” I came up with and took to the band. I knew they would like and understand it. The song has big spaces for jams. The band can stretch out and play. It’s more fun creating with the band. There’s something magical about working together with a shared vision in the creative process.

How does Stranger Things compare to previous material?

This album was meant to express the joy of playing music, not make a stand other than being joyful noise. It’s impossible to hear yourself objectively. There are songs I really like. “No Dinero” says a lot about the struggle to pay bills and still have a good time. That speaks to my family upbringing. There was always juggling of bills, yet my mother insisted on having fun. That record is fun but speaks to the reality of trying to keep your head above water.

Which track is your favorite?

“Buffalo Ghost” was stream of consciousness. Kenny Withrow started playing the guitar line, and those images came into my mind. I like the rhythm and melody inspired by it. When I go back and listen, there’s something very simple–yet very emotional–about revisiting the house where you once lived or a road you once walked along.

What’s it like being back together?

It’s more fun now. We don’t feel the pressure of a record company like when we were 19. I thought I could leave it. I thought, “It was a fun, wild ride. Now I want quiet time, peace and a loving family.”  If I was a guy, the band would have stayed together publicly all these years. That female instinct to get quiet and have kids was a very powerful pull away from those ambitions. Walking through Central Park with my kids, I realized how much I love music. I kept singing and writing, thinking of the band and missing them. We have a deeper appreciation now. There’s a much more relaxed vibe. We’re not hungry or out to prove ourselves like we were early on. We’re just out to enjoy playing music.

What role have LGBT fans played in your career?

I never really thought about it, frankly. I owe a lot to a friend who after high school revealed she is gay. She got me to go out and meet the New Bohemians in the first place. She saw me looking at a sign that said “Singer Wanted” when our high school was visiting a local college. A year later, she called and said I had to go with her to meet this band. At first I said no. Something made me go. It was a very powerful thing she did for me. I’m very grateful. I know “What I Am” has meant something to gay people on the sexual reference level, but I don’t really think about it. I don’t differentiate between people.

What inspired “What I Am”?

In a world religion class, everyone was complicating life and existence by over-thinking. I had this sense it’s right here, right now. It’s who we are and what we feel. It’s not this tangled web of psychology and philosophy. I was driving to band practice and started singing that song. I wanted to be real, not adopt some philosophy or role. Instinct is our driving force.

What is your “instinct” on gay marriage?

People ought to marry whomever they want. It’s ridiculous there are rules against it, that anyone stands up and speaks out against somebody wanting to marry someone they love.  It’s just wrong to use love–or, for that matter, religion–to divide people. They’re both supposed to uplift. It doesn’t make any sense at all to me.
For more information, visit www.NewBohemians.com

 
» Comment on this article
» Printer Friendly Version
» E-mail this article to a friend

Previous Page - Go Top - Home
Airocide Advertisement Advertisement
CONTACT US     ADVERTISE WITH US
 
© 2005-2013 SAN FRANCISCO BAY TIMES, ALL RIGHTS RESERVED